Author | Pierre Choderlos de Laclos |
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Original title | Les Liaisons dangereuses |
Translator | P. W. K. Stone |
Illustrator | Fragonard |
Country | France |
Language | French |
Genre | Epistolary novel, libertine novel |
Publisher | Durand Neveu |
Publication date | March 23, 1782 |
Media type | Print (Paperback) |
Pages | 400 |
OCLC | 52565525 |
French Wikisource has original text related to this article: |
Wikimedia Commons has media related to Les Liaisons Dangereuses. |
Dangerous Liaisons | |
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Directed by | Stephen Frears |
Produced by | |
Written by | Christopher Hampton |
Based on | Les liaisons dangereuses by Christopher Hampton |
Starring | |
Music by | George Fenton |
Cinematography | Philippe Rousselot |
Edited by | Mick Audsley |
Distributed by | Warner Bros. |
| |
119 minutes | |
Country | United States |
Language | English |
Budget | $14 million |
Box office | $34.7 million |
Track | Song Title | Composer |
---|---|---|
1 | Dangerous Liaisons Main Title/'Dressing' | George Fenton |
2 | 'Madame De Tourvel' | George Fenton |
3 | 'The Challenge' | George Fenton |
4 | 'O Malheureuse Iphigénie!', from Iphigénie en Tauride | Christoph Willibald Gluck |
5 | 'Going Hunting' – 'Allegro' from Organ Concerto No. 13, 'The Cuckoo and the Nightingale' | George Frideric Handel, arr.George Fenton |
6 | 'Valmont's First Move'/'The Staircase' | George Fenton |
7 | 'Beneath The Surface' | George Fenton |
8 | 'The Set Up' | George Fenton |
9 | 'The Key' | George Fenton |
10 | 'Her Eyes Are Closing' | George Fenton |
11 | 'Ombra mai fu', from Serse | George Frideric Handel |
12 | 'Tourvel's Flight' | George Fenton |
13 | 'Success' | George Fenton |
14 | 'Emilie' | George Fenton |
15 | 'Beyond My Control' | George Fenton |
16 | 'A Final Request' | George Fenton |
17 | 'Ombra Mai Fu' reprise/'The Mirror' | George Frideric Handel/George Fenton |
18 | Dangerous Liaisons End Credits | George Fenton |
19 | 'Allegro' from Concerto in a Minor For Four Harpsichords, BWV 1065 | Johann Sebastian Bach |
Awarding body | Award | Nominee | Result |
---|---|---|---|
Academy Awards | Best Picture | Norma Heyman Hank Moonjean | Nominated |
Best Actress | Glenn Close | Nominated | |
Best Supporting Actress | Michelle Pfeiffer | Nominated | |
Best Adapted Screenplay | Christopher Hampton | Won | |
Best Original Score | George Fenton | Nominated | |
Best Costume Design | James Acheson | Won | |
Best Art Direction | Stuart Craig Gérard James | Won | |
American Society of Cinematographers | Outstanding Achievement in Cinematography | Philippe Rousselot | Nominated |
BAFTA Awards | Best Direction | Stephen Frears | Nominated |
Best Actress in a Leading Role | Glenn Close | Nominated | |
Best Actress in a Supporting Role | Michelle Pfeiffer | Won | |
Best Screenplay | Christopher Hampton | Won | |
Best Cinematography | Philippe Rousselot | Nominated | |
Best Original Film Score | George Fenton | Nominated | |
Best Costume Design | James Acheson | Nominated | |
Best Make Up Artist | Jean-Luc Russier | Nominated | |
Best Editing | Mick Audsley | Nominated | |
Best Production Design | Stuart Craig | Nominated | |
British Society of Cinematographers | Best Cinematography | Philippe Rousselot | Nominated |
César Awards | Best Foreign Film | Stephen Frears | Won |
London Critics Circle | Screenwriter of the Year | Christopher Hampton | Won |
Writers Guild of America | Best Screenplay Based on Material from Another Medium | Christopher Hampton | Won |
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